Celebrating vinyl / CD / cassette / memorabilia releases of musical gems and curiosities from the punk era onwards
May 2026 has witnessed signs of life from the Scritti Politti camp by way of two news pieces of interest, the announcement of some live dates to commemorate the 50th anniversary of the Rough Trade record label and a new ‘deluxe’ re-issue of 1985’s ‘Cupid & Psyche 85’ album. Sadly though, still no news of any new album release, which leaves ‘White Bread Black Beer’ the band’s last album release to date, twenty years ago in 2006, the subject of today’s post.
I have liked Cabaret Voltaire for a long time now. First introduced in 1981 with their classic Rough Trade era singles and EP up to that point courtesy of a school friend, Eddie. I’ve stuck with them over the years and changes in sound and was fortunate enough to be able to see them play live for the first time ever (at least, the 2025/26 incarnation of Cabaret Voltaire) late last year, along with my other schoolmate of the same period – and frequent contributor to this blog – Lieutenant030. I can thoroughly recommend trying to see them live on their tour later this year if you are in any doubt about it. I mention in passing the 2025/26 incarnation of Cabaret Voltaire, as this is a band (along with other Post Punk contemporaries) with a complicated history. Even within the timeframe of the most stable and long-lasting line-up, the duo of Kirk and Mallinder, there were periods that would divide opinion, with radical shifts in the bands sound. This release hails from one of those periods, their era signed to EMI’s Parlophone label.
Continue reading “Cabaret Voltaire ‘Here To Go’ UK CD single (EMI Parlophone, CDR 6166, 1987)”
The first few months of 2026 have gotten off to start with not one but two books that revisit, to varying degrees, the subject of the Skids and Stuart Adamson. The first of them is this slim but illuminating book from Richard Jobson reflecting ostensibly on the background to the 1980 Skids album ‘The Absolute Game’, but much more beside. The second tome is ‘Stay Alive: The Life and Death of Stuart Adamson’, by Scott Rowley and is an official biography chronicling his career and tragic death. That will have to wait for another time
Continue reading “Richard Jobson – The Absolute Game book (No Bad Books, 2026)”
This 1988 CD EP release is something of a curio as it contains two mixes by Visage that have for whatever reason been rather forgotten about in the digital age. Not that you would know from the sleeve design, as it doesn’t provide any details on the specific mixes included. But these two mixes of interest are the original extended 12” mix of ‘Fade To Grey’ and the ‘Dance Dub’ mix of ‘Beat Boy’.
This original 12” mix of ‘Fade To Grey’ first emerged not on the 1980 UK 12” single but on the West German 12” single release. (The UK 12” single featured the same single edit as the 7” mix). The West German 12” release (Polydor 2141 318) – see discos.com entry – featured an extended mix of ‘Fade To Grey’, though its fair to say that this 12” extended mix has since been eclipsed and replaced as seemingly the ‘definitive’ 12” mix of the song by the later ‘Dance Mix’ version that first appeared on the US ‘Visage’ Mini-Album (Polydor, PX-1-501) released in July 1981, as featured in a previous post. For example, on many various artists compilation CDs in recent decades whenever there is a 12″ or extended mix of ‘Fade To Grey’ it is almost always the ‘Dance Mix’, or, even more confusingly, a slightly shorter edit of this ‘Dance Mix’. (See ‘Postscript’ below for more detail on this.) The most recent example of this is from Rusty Egan’s 4-disc ‘Rusty Egan Presents Blitzed!’ collection (view the discogs.com entry), which features the full-length ‘Dance Mix’ version of ‘Fade To Grey’ in all its glory – it truly is a superb mix.
Meantime, the ‘original’ 12″ mix as featured on this CD single is quite a different affair. It lacks the downright irresistible straight-ahead funkiness of the Dance Mix and has in the past come in for the occasional comment that its basically just the single mix repeated twice.
Continue reading “Visage ‘Fade To Grey’ 1988 CD single (Polydor, 887-586-2, West Germany, 1988)”
This curious 12″ release is notable for featuring an edit that was never commercially released, and that unlike various other edits doing the rounds managed to truncate all of the tracks that make up the full version of the original album version ‘Trans-Europe Express’ / ‘Abzug’ / ‘Metal on Metal’ into one edit of 5’42” duration instead of the full 13’38” run time
