Peter Murphy – ‘Should The World Fail To Fall Apart’ – versions

July 20th, 2016

Having walked away from the stalled Dalis Car, Peter Murphy would release his debut solo album, ‘Should The World Fail To Fall Apart’ in the middle of 1986 and as this post will document, it would spawn a large number of version craziness for most of the album tracks. From late 1985’s first single, ‘Final Solution’, into 1987 and the release of the title track as a 12″ remix, along the way, a unique Canadian release of the LP would see a totally different album cover design and selection of tracks for good measure, all pointing to quite a bit of mixing and re-mixing going on around this release.  Read the rest of this entry »

Gary Numan / Tubeway Army 1981 cassingles

June 30th, 2016

In these days of digital downloads and the disappearance of the physical format, it no doubt seems quite quaint to think back on the multitude of ways record companies used to dream up ways to exploit multiple formats in order to get eager fans to buy the same thing again and again. These two cassette singles are examples of that very thing, record company venal zeal in full effect. Nevertheless, they are presented here for what they are, their own charm, or otherwise to enjoy (or not).  Read the rest of this entry »

Colin Newman ‘Feigned Hearing’ 7″ single (Crammed Discs, CRAM13457)

February 29th, 2016

Side A: Feigned Hearing [Edit] 3.30
Side B: I Can Hear Your… [Remix] 3.07

This delightful little single took two tracks from Colin Newman’s ‘Commercial Suicide’ album in some feint hope of contradicting the album’s title perhaps. The A side is certainly a cheery, light, keyboard constructed piece, beat-less through a complete absence of any percussion – you can’t help but feel its chances of success as a 45 were always likely to be limited given that lack of backbeat. But who knows what the reasoning was. It’s well documented in the mighty fine Wire tome, ‘Everybody Loves a History’, that the mid-’80s period saw Colin Newman opting out of the music industry rat-race by way of an extended trip to India. On returning, re-investigating some keyboard-based demos made prior to the trip, pairing up with new partners in both John/Sean Bonnar (musically) and Malka Spigel (musically and by way of marriage), the subsequent album, ‘Commercial Suicide’, was a strong, original work and cheerfully raised two fingers to any notions of commercial success by throwing away any attempts at tracing from the Wire template the previous albums ‘Not To’ and ‘A-Z’ had both clearly drawn upon. The resulting album was still clearly the work of Newman but shot through with a subtler, minimal method and instrumentally a fair remove from the more recognisably Wire-like guitar/bass/drums of ‘Not To’ in particular.  Read the rest of this entry »