A fine example of the mid-’80s trend to load up the cassette version – and increasingly the CD too, with its rise to format dominance – of albums with extra tracks and/or extended mixes. Win’s wonderful high-tech pop debut, ‘Uh! Tears Baby (A Trash Icon)’, got the treatment good and proper.
Continue reading “Win ‘Uh! Tears Baby (A Trash Icon)’ cassette and CD version craziness”
The Cure were no strangers to giving fans a bonus side of music to their cassette releases, with 1981’s ‘Faith’ cassette coming with the long form ‘Carnage Visors’ soundtrack piece as a cassette-only exclusive. By 1984 and their renaissance as a more pop-oriented act (on the surface at least as the Sturm und Drang outings from ‘The Top’ such as ‘Shake Dog Shake’ and ‘Give Me It’ would attest), time was ripe for their first live album in the shape of the faux bootleg look and feel of ‘Concert’ (The Cure Live)’. Limited to a single album rather than the more traditional sprawling double, it was a fair trawl through various highlights, heavy on the singles and a side order of more recent album tracks. Fair enough. But of more interest, certainly for longer term fans, was the cassette-only ‘Concert and Curiosities’.
Continue reading “The Cure – ‘Concert and Curiosities’ UK cassette (Fiction, FIXHC10, 1984)”
The Human Condition was a short-lived band featuring reunited PiL band-mates Jah Wobble on bass and Jim Walker on drums, the line-up rounded out with Animal (aka Dave Maltby) on guitar and also occasionally augmented by Annie Whitehead on saxophone. This ‘rush release’ is one of two live recordings released on limited run cassettes that were issued back in the day and document their fine instrumental workouts. The packaging was stripped down and minimal on both, having the air of bootleg issues, perhaps, despite being official output. As far as I am aware they have never been re-issued in any form. One of the tracks on here would appear in studio form on 1983’s ‘Snakecharmer’ release by Wobble, Czukay and The Edge. I’ve selected my favourite track from the cassette to sample via a YouTube upload, ‘Neon‘ – see what you reckon for yourself… if you like it, plenty more from the same account to check out.
This snappily packaged little item was attached to the wall of the wonderful 1-UP Records back in the days of their shop on Rosemount Viaduct for a long, long while. I would hardly dare guess quite how long it was sellotaped up on the wall (which hasn’t done the soft vinyl pack too much good), but it seemed to be up there forever. I can’t recall how it came to be that I decided to investigate it further, but at some point I think I became aware of the presence of Kraftwerk and The Cure in particular on it. And when it became clear that these were exclusive items, well, it was time to buy.
‘Substance’ was the second compilation album of Joy Division non-album tracks released on Factory, dating from July 1988. Along with 1981’s ‘Still’, it gathers up many of the tracks that first appeared on the band’s single and EP releases, none of which were featured on either ‘Unknown Pleasures’ or ‘Closer’. (Well, other than a different version of ‘She’s Lost Control’, I suppose.)
I have chosen to feature the cassette version, since this hails from my pre-CD buying days and therefore was the only access I had to the full version of the release. You see, the vinyl LP version only came with ten tracks, whereas the cassette version came with those same ten tracks on side 1 and an ‘Appendix’ on side 2 that added an additional seven tracks. (The CD version also came with the full seventeen tracks.) Somewhat annoyingly, rather than present everything in chronological order, the ‘Appendix’ device ensures that things get mixed up. Continue reading “Joy Division – ‘Substance’ cassette (Factory FACT250C, 1988)”
