2016’s ‘Burning Car’ and 2020’s ‘Concrete and Organised Noise’ LPs had set the scene for ‘companion’ albums gathering up related tracks on vinyl to ‘Metamatic’, and 2021 would see this same concept applied to John’s 1981 album, ‘The Garden’, by way of this post’s featured compilation, ‘Church’.
As it happens, ‘The Garden’ was being given a 40th anniversary edition re-release on vinyl the same year, with half on green vinyl and half on yellow vinyl. An email from Metamatic records had announced that release thus; Continue reading “John Foxx compilations across the years Part 11”
This 1988 CD EP release is something of a curio as it contains two mixes by Visage that have for whatever reason been rather forgotten about in the digital age. Not that you would know from the sleeve design, as it doesn’t provide any details on the specific mixes included. But these two mixes of interest are the original extended 12” mix of ‘Fade To Grey’ and the ‘Dance Dub’ mix of ‘Beat Boy’.
This original 12” mix of ‘Fade To Grey’ first emerged not on the 1980 UK 12” single but on the West German 12” single release. (The UK 12” single featured the same single edit as the 7” mix). The West German 12” release (Polydor 2141 318) – see discos.com entry – featured an extended mix of ‘Fade To Grey’, though its fair to say that this 12” extended mix has since been eclipsed and replaced as seemingly the ‘definitive’ 12” mix of the song by the later ‘Dance Mix’ version that first appeared on the US ‘Visage’ Mini-Album (Polydor, PX-1-501) released in July 1981, as featured in a previous post. For example, on many various artists compilation CDs in recent decades whenever there is a 12″ or extended mix of ‘Fade To Grey’ it is almost always the ‘Dance Mix’, or, even more confusingly, a slightly shorter edit of this ‘Dance Mix’. (See ‘Postscript’ below for more detail on this.) The most recent example of this is from Rusty Egan’s 4-disc ‘Rusty Egan Presents Blitzed!’ collection (view the discogs.com entry), which features the full-length ‘Dance Mix’ version of ‘Fade To Grey’ in all its glory – it truly is a superb mix.
^ Visage ‘Fade To Grey’ 1988 West German CD single front cover design
Meantime, the ‘original’ 12″ mix as featured on this CD single is quite a different affair. It lacks the downright irresistible straight-ahead funkiness of the Dance Mix and has in the past come in for the occasional comment that its basically just the single mix repeated twice.
1990 had by far been an intense yet successful year for the band – following the release of the ‘Heaven or Las Vegas’ album, the final few months of 1990 (October through December) had seen the band tour Europe, North America and Canada, which then continued on into 1991, with the North and South American tour to promote the ‘Heaven Or Las Vegas’ album that kept the band occupied during March and April of 1991. Along the way, the band also parted ways with 4AD records following some degree of acrimony, a move that would be reflected upon at a later date as not necessarily the best of moves. Simon Raymonde’s ‘In One Ear’ book also provides a bleakly dramatic tale of the human toll of the tour to support promotion of ‘Heaven or Las Vegas’ by way of a rather dramatic end to the tour on a personal level. By this point in time the band were now finding that their relationship with their label, 4AD, was being brought to a close. So, its perhaps little surprise to find that 1991 was otherwise a low-activity period other than the intense touring schedule.
^ Cocteau Twins – 1991 – Singles Box Set – front cover
Yet, it was not a quiet year for releases, with a box set of their singles and EPs (in enhanced form with complementary bonus tracks added as appropriate) proving to be a very welcome release on CD format. Continue reading “Year by Year: Cocteau Twins – 1991”
From the vantage point of 2026 and the myriad of Durutti Column re-releases that we have been fortunate to have available this century, you might wonder why it’s worth dwelling on a compilation from 1991, ‘Lips That Would Kiss (Form Prayers To Broken Stone)’. And well you might, since everything on this CD is readily available nowadays. But… this was one of those very early CD purchases of mine once I had finally decided to adopt the format and was quite something at the time with its combination of familiar single releases, compilation album odds and ends, all gathered up along with previously unreleased tracks of the same early period from an abandoned album that made way for 1984’s ‘Without Mercy’ instead.
^ The Durutti Column – ‘Lips That Would Kiss (Form Prayers To Broken Stone)’ 1991 Factory Benelux compilation CD front cover design
Originally released in 1991, this was a vital CD purchase at the time and was basically drawn from the following sources that were released throughout the 1980s, though recorded between 1980 through 1984;
After no less than three compilation releases during 2016, there was a gap in any further mining of the vaults for stand-alone compilations until 2020, which is where we pick up the story, though it should be noted that 2018 saw the ‘Metamatic’ CD box set release that presented to the world for the first time many hitherto unreleased recordings from the John Foxx archives. This featured compilation from 2020 would in fact relate directly to 2018’s deluxe re-issue of ‘Metamatic’…
‘Concrete and Organised Noise’ UK LP (Metamatic Records, META64LP, 2020)
Release date: 24 January 2020.
This compilation, intended as some kind of ‘related works’ companion piece in the ‘Metamatic’ universe, was pressed up as a limited edition of 500 copies, on grey vinyl. It comes styled in a wonderful sleeve design by Jonathan Barnbrook, very much in keeping with the ‘Metamatic’ era house style, and focusing on a wonderful photo of John Foxx by Chris Gabrin, which again dates from the era and very much adapts Foxx himself and his ‘grey suit’ persona dead-centre into the narrative of the aesthetic.
The music contained in the album is a selection of tracks drawn from disc three of 2018’s 3 CD box set of ‘Metamatic’ (Metamatic META63BX, released 25th May, 2018). It is not a complete equivalent of that disc however, several tracks are missing. So, if you are seeking a complete record of the ‘Metamatic’ era archive, you’ll still need to seek that out.
^ John Foxx ‘Concrete and Organised Noise’ LP front cover design
So, much of the material presented here is instrumental, electronic pieces, but there are a few more ‘song’ based pieces that are found, principally earlier or alternative versions of some from either ‘Metamatic’ itself or the accompanying singles of the era. Continue reading “John Foxx compilations across the years Part 10”
