Archive for the ‘Lost gems’ Category

The Human Condition – Live At The Collegiate Theatre 13 September 1981, UK cassette (The Human Condition, THC 1, 1981)

Friday, August 28th, 2020

The Human Condition was a short-lived band featuring reunited PiL band-mates Jah Wobble on bass and Jim Walker on drums, the line-up rounded out with Animal (aka Dave Maltby) on guitar and also occasionally augmented by Annie Whitehead on saxophone. This ‘rush release’ is one of two live recordings released on limited run cassettes that were issued back in the day and document their fine instrumental workouts. The packaging was stripped down and minimal on both, having the air of bootleg issues, perhaps, despite being official output. As far as I am aware they have never been re-issued in any form. One of the tracks on here would appear in studio form on 1983’s ‘Snakecharmer’ release by Wobble, Czukay and The Edge. I’ve selected my favourite track from the cassette to sample via a YouTube upload, ‘Neon’ – see what you reckon for yourself… if you like it, plenty more from the same account to check out.

The Human Condition - Live At The Collegiate Theatre 13 September 1981 UK cassette front cover

^ The Human Condition – Live At The Collegiate Theatre 13 September 1981 UK cassette front cover

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The Golden Hour of The Future – Recordings by The Future and The Human League

Friday, August 14th, 2020

Released in 2002, this CD finally shone official light of day on to early material by The Human League and immediate forerunners The Future that had been circulating in bootleg form for 20+ years. Hurrah!!! A compilation of this type had been mooted for official release long before – back in late 1981, Heaven 17’s ‘Penthouse and Pavement’ album inner sleeve advertised ‘The Future Tapes’ as a forthcoming release, for example.

The background story is even more involved than I was aware of and adds to the enjoyment of listening to this release now, albeit in some cases that is a pretty lo-fi experience, to be fair.

The Golden Hour of the Future - front cover design

^ The Golden Hour of the Future – front cover design

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Danielle Dax ‘Jesus Egg That Wept’ UK Mini-Album (Awesome AOR1, 1984)

Sunday, June 29th, 2014

Regular visitors will most likely know already my fondness for that ’80s staple, the mini-album and in ‘Jesus Egg That Wept’ we have a prime example. Six new tracks (plus the addition of a track from the previous ‘Pop Eyes’ LP, for some reason) was a good introduction for me to the wonderfully unique oddities of Danielle Dax. Sleeved in an eye-catchingly odd cover, this mini-album was at a good time all round for Danielle Dax, with 1984 also seeing her brief but significant role in the film, ‘The Company of Wolves’ as well as an appearance on the primetime ‘The Tube’ TV show (performing ‘Hammerheads’).

Danielle Dax 'Jesus Egg That Wept' UK Mini-Album front cover design

^ Danielle Dax, ‘Jesus Egg That Wept’ UK Mini-Album front cover design

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Dif Juz ‎– Who Says So? (Red Flame, RFM 24, 1983) UK mini-album

Saturday, October 26th, 2013

Dif Juz are one of these acts who I have a few works by, but never really got to know too much about. Being on 4AD and hailing from the early 80s, they pretty much had my name written on it in their appeal, but for whatever reason they never quite got the recognition they were deserving of and that lack of profile tended to hamper my following of their work. I saw them live once, in support of the Cocteau Twins, late 1984 and they were quite something on the night. Although aware of their two earlier 4AD EP releases, the one that is the subject of this post had passed me by, so despite being a 1983 release, it was the start of 1985 before I came across it.

Dif Juz - 'Who Says So?' mini-album front cover design

^ Dif Juz - 'Who Says So?' mini-album front cover design

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A Certain Ratio – ‘Waterline’ (Factory, FAC 52) UK 12″ single

Monday, September 30th, 2013

What a brilliant single this was – an absolutely killer bassline, thumping and skittering around and anchoring this along with Donald Johnson’s crisp, precise drums and percussion workout. Atop was some seriously haunted horns and tape echo/electronic manipulations, with the dual vocals of the short-lived Martha Tilson bringing an ‘almost there’ presence and (presumably) Simon Topping in vocodered form. Something of a lost gem though – it hails from the same sessions as the ‘Sextet’ album, recorded late 1981 and released early 1982, but in somewhat typical Factory fashion of the time, it did not appear on that LP. Curiously, it has proved elusive in later reissues too – it can be found on 2002’s ‘Early’ CD compilation, but oddly was neglected from the ‘Old and the New’ compilation and various re-issues of ‘Sextet’.

A Certain Ratio - 'Waterline' 12 inch single, front design

^ A Certain Ratio - 'Waterline' 12 inch single, front design

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