Another compilation that sifts through the Tones On Tail back catalogue panning for gold… this time out it was on CD and cassette formats only – and the cassette version included three extra tracks. This was issued in 1990 in the United States – and was the third compilation released in the US by this point (preceded by ‘The Album Pop’ in 1984 and ‘Night Music’ in 1987).
Returning once more to an old favourite featured many times before, Hard Corps, and their wonderful single that should have been a hit, ‘Je Suis Passée’ and all its many versions. It has been a long while in the offing, this post, what prompted me to post it now is the newly released compilation CD celebrating the work of producer Martin Rushent, ‘Autonomy – The Productions Of Martin Rushent’, available from Ace Records, as this includes the 7″ single mix of ‘Je Suis Passée’, its first release on CD format.
From the moment I heard Hard Corps I was hooked – that was in the summer of 1984 with the release of the ‘Dirty’/Respirer’ double A side 12″ (and later 7″) single. That love for the band became even greater with ‘Je Suis Passée’. Continue reading “Side by side: Hard Corps – Je Suis Passée versions”
‘The “Sweetest Girl”’ never provided Scritti Politti with the full-on pop chart hit that might have ambitiously been hoped for, but the impact it made with its sea-change in style ensured its high profile all the same. What I had not quite appreciated until more recent years was just how many versions of the song there are and it’s curiously stop/start release history.
Continue reading “Scritti Politti – ‘The “Sweetest Girl”’ version craziness”
1988 saw the band return from what, to the outside world, probably looked like some kind of extended break, but had witnessed the band finesse their studio in Acton and record the album ‘Blue Bell Knoll’. Along the way, it also saw the band make changes in their relationship with 4AD records, including signing a new deal for five further albums for the label and their American releases made via Capitol records, as well as further worldwide territories.
The original release of the vinyl album came packaged in a tri-fold sleeve and, unlike previous releases, it was not the work of 4AD’s in-house designers 23 Envelope, but by designer Paul West and Jeremy Tilston, with photography by Juergen Teller.
Another post of mine that holds a torch for Xmal Deutschland, who I was seriously into in the 1980s and was fortunate to see play live a few times. This time around, the final single release by the five-piece version of the band, ‘Sickle Moon’, the second single from the ‘Viva’ album of 1987.
Released in 7″ and 12″ formats in the UK, it managed to contain two versions of the A side, ‘Sickle’ Moon’, and two versions of the shared B-side, ‘Illusion’, as well as 12″-only track, ‘In Onyx’. Continue reading “Side by side: Xmal Deutschland ‘Sickle Moon’ UK singles (Xile/Phonogram XMAL2 / XMAL212, 1987)”
