2025 has been a good year for remembering the wonderful Pete Shelley, by way of various re-releases, firstly, the Record Store Day exclusive of the ‘Yesterday Is Not Here (Radio Sessions 1979 – 1983)’ album (which includes the first, acoustic guitar and vocal rendition of the song that is the subject of this post, in the form of ‘Homosapiens’), then new re-releases of Pete’s ‘Homosapien’ and ‘XL-1’ albums. But, what do we have here? Not one of these new releases, no – quite a curio in fact and one that passed me by back in the day.
^ Pete Shelley vs Power, Wonder and Love – ‘Homosapien II’ 3″CD single – front
Magazine are a long-standing favourite of mine and it’s been welcome to have seen them been back in the public eye once again over the past year with the re-releases of their studio back catalogue. A nicely curated re-issue series, refreshed and re-visited, notably absent however are any of the live albums. The subject of today’s post is something of a curio. While 1980’s ‘Play’ (and its later, expanded 2009 re-visit as ‘Play+’) live album has tended to be the go-to de facto live document, this release is worth seeking out as a short but interesting example of a slightly earlier vintage.
^ Magazine – ‘BBC Radio 1 Live In Concert’ UK CD front cover design and CD label
The UK BBC Radio 1 music station’s ‘In Concert’ series was a simple yet valuable format, one matched around the world in many differing names – ultimately, a chance to hear a well recorded excerpt of a live show, broadcast a week or two after the recording date. Established or new and upcoming bands, they were of equal interest and importance to the producers. This show was recorded on 22nd November 1978 at the BBC’s then ‘Paris Theatre’ venue, on Lower Regent Street, London, which has long since closed its doors as a venue for such live recordings. This is a short release, clocking in at the 37 minute mark, so, far from a full live show. This is partly because the broadcast was shared with another act, the short-lived Snips.
This is one of those albums that was quite out of proportion in its importance in my early listening habits to what it seemingly was in its place in the grander scheme of things. Likely down to two factors for me; i) the critical hot stock that Talking Heads and David Byrne in particular enjoyed in the UK music press in 1981/82, and ii) the curiosity factor of an extended duration cassette version that featured way more music than the standard vinyl album version.
^ David Byrne ‘The Complete Score from the Broadway Production of “The Catherine Wheel” USA cassette (front)
‘Cut-Throat – How to get started in the music business – and survive!’ is a newly published book drawn from the archives of the sadly now departed Nash The Slash (the late Jeff Plewman) that I received recently in its limited edition form. Published by Skill, which bills itself as an ‘outsider micro-label and press offering discerning multi-genre releases in beautifully rendered limited editions’ the wonderfully packaged limited version is now sold out, but the regular edition is available – view the Skill Bandcamp. Along with the ‘Nash The Slash Rises, Again!’ [Facebook link] documentary, this will surely help keep the interest alive.
^ Nash The Slash ‘Cut-Throat – How to get started in the music business – and survive!’ book front cover
‘The Basics’ is a curious oddity, a 1986 Japanese-only compilation that gathers together various mixes of five singles that were peeled from the ‘Cupid & Psyche ’85’ album. It comes housed in a design based on the UK 1985 12″/gatefold 7″ single sleeve design. Why the title of ‘The Basics’? I have no idea. And despite being housed in a sleeve filched from the UK 12″ of ‘Perfect Way’, the mix of that song that is included is actually a quite different mix from the US 12″ single! Odd!
^ Scritti Politti ‘The Basics’ 1986 mini-album – LP and cassette front cover designs
