King Crimson ‘Sleepless’ West German 12″ single (EG/Polydor Records 817 990-1, 1984)

The ‘Beat’ album by King Crimson was my entry point to the band in 1982 – somewhat taken by the fusing of art rock and the Talking Heads connections, buying that album was something of an educated guess but one that paid off. ‘Beat’ was the middle album of a trio from the early 1980s and this ‘Sleepless’ single featured here was the lead-off single from the third part of that trio, 1984’s ‘Three of a Perfect Pair’. By this stage of the game, the band clearly had some ambitions to have something of a go at single chart success and ‘Sleepless’ took aim with a smoothed-out, funked up, sleek-lined rhythmic juggernaut of a sound that was fashioned into different mixes across the parent album as well as 7″ and 12″ releases, aided and abetted by celebrity mixers of the day, Bob Clearmountain and the more dance-groove focussed François Kevorkian – and in so doing, leaving us with some vinyl-only version craziness some 41 years on from its original release.

King Crimson 'Sleepless' 1984 West German 12" front cover design
^ King Crimson ‘Sleepless’ 1984 West German 12″ front cover design

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Strawberry Switchblade – ‘I Can Feel’ – Japanese 7″ (Korova P-2074, 1986)

‘I Can Feel’ was the final single release by Strawberry Switchblade while they remained a going concern, though it was released only in Japan, in March 1986, to coincide with their final live tour, four dates played in Japan that same month.

Strawberry Switchblade - 'I Can Feel' - Japanese 7" front cover design
^ Strawberry Switchblade – ‘I Can Feel’ – Japanese 7″ front cover design

‘I Can Feel’ was a non-album single and, sadly, the interest in Strawberry Switchblade had waned so much in their home territories by this stage that the single did not even merit a release in the UK. Other than the original 7″ single release, the original 3’41” single version of ‘I Can Feel’ has only ever been re-issued on the Japanese CD copies of the ‘Strawberry Switchblade’ album in the late 1990s and onwards. Continue reading “Strawberry Switchblade – ‘I Can Feel’ – Japanese 7″ (Korova P-2074, 1986)”

John Foxx compilations across the years Part 5

With seemingly undue haste – there is only two years between ‘Glimmer: Best of John Foxx’, covered in the previous post, and the subject of this post, here we have ‘Metatronic’. What did this compilation bring, that warranted it coming so soon after ‘Glimmer’, you may well wonder?

John Foxx ‘Metatronic’ UK compilation 2 x CD + DVD - front case design
^ John Foxx ‘Metatronic’ UK compilation 2 x CD + DVD – front case design

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John Foxx compilations across the years Part 3

The third part of this series looking in depth at John Foxx compilations across the years moves on to 2001’s ‘Modern Art’ compilation CD that brought together a mixture of the familiar as well as some previously hard to find mixes and single edits to CD for the first time.

John Foxx 2001 compilation CD, 'Modern Art - The Best of John Foxx' front cover design
^ John Foxx 2001 compilation CD, ‘Modern Art – The Best of John Foxx’ front cover design

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Public Image Ltd. – ‘Seattle’ Japanese CD single (Columbia, 15CY-5013, 1987)

The first single to be lifted from PiL’s 1987 album, ‘Happy’, ‘Seattle’ was a a lively, punchy track that sadly failed to provide much of a hit to match the momentum that the previous year’s ‘Album’ and ‘Rise’ releases had. Bolstered with a resurgent John McGeogh on guitar, its a highly polished production, courtesy of Gary Langan, and his high-tech, meticulous touches are one thing, though how well it fitted with earlier PiL sounds is a point of debate.

Public Image Ltd. - 'Seattle' Japanese CD single front cover design and OBI.
^ Public Image Ltd. – ‘Seattle’ Japanese CD single front cover design and OBI.

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