Dome ‘Dome’ and ‘Dome 2’ UK LPs

It would be the late summer of 1981 before my curiosity got the better of me and I bought my first record by Wire. It was an educated guess – I’d heard nothing by them (not even on the John Peel show, which I had begun to tune into fairly frequently from 1980 onwards), but every time I read about them (and related solo releases) in the music press it seemed to make sense that I would like them. The first releases I would get hold of were the ‘Our Swimmer’ single (which has been covered in a previous post) and the ‘Ends With The Sea’ 7″ single by BC Gilbert and G Lewis – names I was already well familiar with by the more intriguing moniker of DOME. Smash Hits reviews had enthused about the first two albums released by Dome – particularly ‘Rolling Upon My Day’ from the first album. Photos of the duo pictured a serious and no nonsense duo, the record sleeves equally arty and intriguing. The calling card of that first single purchase convinced me enough that when readies allowed, I would definitely investigate further.

^ Dome 'Dome 1' 1980 UK LP front cover
^ Dome ‘Dome 1’ 1980 UK LP front cover
Dome 'Dome 2' 1980 UK LP front cover
^ Dome ‘Dome 2’ 1980 UK LP front cover

The first of those two Dome LPs I would come across was actually ‘Dome 2’, a second-hand copy, in December 1981. I bought it along with Joy Division’s ‘Still’, New Order’s ‘Movement’ (both of which quite recent releases) and ‘154’ by Wire (complete with its free 7″ EP). A mammoth listening session awaited that Saturday afternoon. Continue reading “Dome ‘Dome’ and ‘Dome 2’ UK LPs”

Gang Of Four – ‘Yellow’ US 12″ EP (Warner Brothers Records, MINI 3494, 1980)

Back in the early ’80s and my nascent record buying bug began to flourish with a regular wage packet from a Saturday morning job, there were many a tempting release to be found in the record racks of local shops such as 1-Up, The Other Record Shop, Bruce Millers, Easy Rider and the like. The exotic, foreign pressed 12″ EPs or mini-album that scooped up tracks from individual 7″ single releases and brought them together in a new sleeve design were especially eye-catching. With its bright yellow cover design and stark type arrangement, this positively shouted from the racks. However, it would be some time later before I would come across a copy – before then would be a copy of ‘Solid Gold’ swapped from a school friend and the wonderful ‘Another Day, Another Dollar’ mini-album, found in the second-hand racks of 1-Up, which I have written about before. And far from the expected compilation of tracks from the singles, on close listening there is far more going on, as we’ll see…

Gang Of Four US 1980 'Yellow' 12" EP front cover
^ Gang Of Four US 1980 ‘Yellow’ 12″ EP front cover

In the UK (and various other territories) the Gang Of Four were signed to the establishment machinery that was EMI Records – however, in the US, they were signed to Warner Brothers Records instead – since the US EMI equivalent, Capitol Records, had passed on the chance to sign the band (a facsimile of the rejection letter having most recently been one of the items of ephemera in the 2021 ’77-81′ boxed set). So, there was inevitably some leeway for Warner Brothers and their take on how the band’s releases should work – this EP (which isn’t actually called ‘Yellow’, though that has become its unofficially official title these days, not least on CD re-issues). Additionally, when it comes to the music, this EP is not quite as straightforward as its cover credits might indicate. Continue reading “Gang Of Four – ‘Yellow’ US 12″ EP (Warner Brothers Records, MINI 3494, 1980)”

Siouxsie and the Banshees – ‘Tinderbox’ UK CD and vinyl re-issues – and album timeline

There’s never a shortage of opinion online about Siouxsie and the Banshees and their work. I’m not one to dive in to it all, but one thing I would pipe up for is ‘Tinderbox’, a personal favourite of mine. I always feel that this album is likely the last Banshees LP to be based on the template that had held sway from ‘The Scream’ onwards and John McKay’s unmistakable and original style. It feels as if a distinct guitar style was passed baton-like from Smith to McGeogh and Carruthers over the preceding albums, but after ‘Tinderbox’, some major surgery would be carried out on the Banshee’s DNA. A re-focus on shifting the guitar element into either a more abstract noise-merchantry role or a supporting role in tandem with the widening emergence of keyboards as the foundation of the sound.

'Tinderbox' 1986 UK LP front cover
^ ‘Tinderbox’ 1986 UK LP front cover

Continue reading “Siouxsie and the Banshees – ‘Tinderbox’ UK CD and vinyl re-issues – and album timeline”

Duet Emmo – ‘Or So It Seems’ UK 12″ (Mute, MUTE 025, 1983) / French 7″ (Mute/Vogue, VG 108 / 101835, 1983)

This was such a surprising release, completely out of the blue. With three albums already under the project monicker of Dome, an album (‘3R4’) and single (‘Ends With The Sea’) as B.C. Gilbert & G. Lewis, 12″ EP under the name Cupol and the B.C. Gilbert/G. Lewis/Russell Mills exhibition installation soundtrack (‘MZUI’) – evidence witnessed the ex-Wire pair follow a particular sonic path that mostly found its music fashioned from manipulated sound sources – Blackwing studio as instrument in particular – with vocals mostly (but not exclusively) provided by Graham Lewis. Despite the then fairly common default assumption that anything that sounded unusual must be done on ‘synthesizers’, rarely were there much in the way of traditional keyboards and synths to be found on their releases. This release was quite the exception however, no doubt due to the presence of Daniel Miller amongst the ranks.

Duet Emmo 'Or So It Seems' UK 12" single front cover
^ Duet Emmo ‘Or So It Seems’ UK 12″ single front cover

The A side is quite the minimal synth track – building slowly from odd keyboard/synth sequences, the Mute Records house style is there to hear, with the unmistakable vocals of Graham Lewis in particularly fine form on top. It is melodic, make no mistake about it – incredibly so compared to much of the preceding, often stark, output since 1980 by Gilbert and Lewis, where you would have little clue as to quite what instrument or sound source was made to produce what you were hearing. Despite the sweetness in melody and vocals, plenty of more discordant elements were still to be found, particularly the track’s intro section and later saxophone. Continue reading “Duet Emmo – ‘Or So It Seems’ UK 12″ (Mute, MUTE 025, 1983) / French 7″ (Mute/Vogue, VG 108 / 101835, 1983)”

Button Badge Goodness: The Police (Part 1)

Over a few posts, here are a few button badges from back in the day – these are all of 1979/80/81 vintage as collected by my younger brother at the time, who was quite The Police fan, also tracking down a good many tasty foreign picture sleeve variations and coloured vinyls – what band they were for that!

The Police - button badge selection A
^ The Police – button badge selection A

Continue reading “Button Badge Goodness: The Police (Part 1)”