‘The Basics’ is a curious oddity, a 1986 Japanese-only compilation that gathers together various mixes of five singles that were peeled from the ‘Cupid & Psyche ’85’ album. It comes housed in a design based on the UK 1985 12″/gatefold 7″ single sleeve design. Why the title of ‘The Basics’? I have no idea. And despite being housed in a sleeve filched from the UK 12″ of ‘Perfect Way’, the mix of that song that is included is actually a quite different mix from the US 12″ single! Odd!
^ Scritti Politti ‘The Basics’ 1986 mini-album – LP and cassette front cover designs
1989 was the first year in the band’s history that would see no significant new releases from them, with various album CD re-presses seemingly the only new product to emerge. No live work either – in fact, there had been no live appearances during 1987 or 1988 either – a three year gap, that would not be broken until late 1990. But the band were far from idle during the year. 1989 saw the band acquire and fit out their September Sound studio [1], the former Eel Pie studios owned by Pete Townshend, where in time they would record at their leisure and what was to be the venue where all the band’s subsequent albums would be recorded. 1989 was a significant year on a personal level for the band members too, with the birth of Elizabeth Fraser and Robin Guthrie’s daughter, Lucy Belle, in September 1989. The month was also significant for Simon Raymonde, though of a sadder nature with the passing of his father, Ivor Raymonde, as detailed in his excellent and moving autobiography published earlier this year, ‘In One Ear: Cocteau Twins, Ivor and Me’. [2]
^ Cocteau Twins – various 1990 releases
1990 by contrast was an extremely significant year, with the eventual release of ‘Heaven Or Las Vegas’, which would prove to be the band’s final new album recorded and released for the 4AD label and the work that many fans consider to be their finest album – and, by the latter quarter of 1990, a return to live touring once more, though with a significantly different band line up.
Suzanne Vega is an artist who I happened upon courtesy of the UK BBC television channel’s long running music series ‘Whistle Test’ in October 1985. It wasn’t the kind of style I’d have thought I would normally like, but there was something intriguing and ‘Marlene On The Wall’ proved to be catchy and a minor hit. Intriguing enough that I bought the debut album in early 1986 and became a firm fan from then on. There was a certain cool elegance and mysteriousness to the music on the whole and not the straight ahead folk I was expecting (other than perhaps ‘The Queen and the Soldier’, which I’ve never cared for).
This curious little release was issued as part of a series of cassette format singles of WEA label artists, such as Gary Numan and Tubeway Army as featured in a pervious post. Packaged in cute little flip-top box packs, the series shared a common theme of design layouts and would pair two the best tracks by each of the artists chosen per cassette. As well as this Talking Heads release, the series featured The Pretenders (two releases, no less), Angelic Upstarts, Rezillos, Tubeway Army, The Ramones, Gary Numan, Saxon and finally Jane Birkin.
^ Talking Heads – ‘Take Me To The River’ / ‘Psycho Killer’ 1981 UK Cassingle – flip-top pack front
What a complicated tale there is to Kraftwerk’s ‘Tour de France’ single. So many versions! This post takes a brief dip into the story to focus on only one release, the rather novel cassette single edition that came out in the UK for the single’s original release in 1983. The mixes of the song featured on this cassingle mirror those to be found on the original 1983 UK 12” single, these being;
Side One:
Tour De France (Long Version) (6’30”)
Side Two:
Tour De France (3’00”) (NB: This was the same mix as on the A side of the 1983 UK 7” single too.)
Tour De France 2è Étape (2’40”)
Now then, it’s important to point out from the off that the first two tracks on this release are the French language versions. The third track – ‘Tour de France 2è Étape’ – is listed as ‘Tour de France’ (Version) on the 12” record label and cassette shell instead, for some odd reason. This 2è Étape mix is NOT the same as the mix that was on the B side of the 1983 7” UK single, despite having a similar duration of 2’40”. The 7” B side is a genuine, shorter instrumental mix whereas ‘Tour de France 2è Étape’ doesn’t really feature the music and is more of an electronic percussion and effects workout.
^ Kraftwerk – ‘Tour de France’ 1983 UK cassette single front cover design
