Near enough to the day (11th July 1980), forty years have passed since the impeccably eerie synthetic ‘less is more’ dynamic of ‘Burning Car’ appeared. As Spring moved into Summer of 1980 it was exciting times for music for me. Spring had brought Orchestral Manoeuvres in the Dark with ‘Messages’ and The Human League with ‘Rock ‘n’ Roll’ to my ears and Gary Numan had released the exciting ‘We Are Glass’ single. New Musik and The Cure had also kept my cassette recorder busy, taped from the top 40 show. I had read about the forthcoming release of this latest Foxx single mid June in ‘Smash Hits’. It had competition from former band mates Ultravox, who had reactivated and were releasing the first notes with Midge Ure in the shape of ‘Sleepwalk’ – and would be an earlier release than Foxx’s latest. Nonetheless, I wasn’t wasting time in getting ‘Burning Car’. There had already been the two singles from ‘Metamatic’, in the way of ‘Underpass’ and a completely re-recorded ‘No One Driving’ – and now, just barely seven months into 1980, a whole new non-album single. Which also happened to sound amazing. Just over three minutes long, it was unlike anything else. Whole segments of little more than steely Roland CR78 rhythm machine and vocal with eerie synth washes rolling in like some mysterious mist, Foxx’s precise lyric like some telegraphic telling of a yet unrealised film projected by alternative means. It felt like best thing he’d released yet.
^ John Foxx – ‘Burning Car’ UK 7” single picture sleeve front
