For no reason other than on my travels over the years I have come across these and I do love a nice little enamel lapel pin, here are a few record company logo badges. The most unusual is probably the Genetic Records badge – Martin Rushent’s label back in the day. The Capitol and Parlophone ones came via an early Record Store Day goodie bag courtesy of London’s fine Sister Ray records on Berwick Street.
Continue reading “Button badge goodness: Assorted record company logo pins”
VersionCrazy has previously covered the full limited edition LP/2xCD/DVD boxed set edition of ‘History of Modern’ in some detail (well, visually anyway) – but did you know that there was a smaller scale boxed edition of the album released in Greece as well?
It’s not a great surprise I imagine, given my musical tastes as documented on VersionCrazy, to realise that I like much of the design work by Peter Saville. ‘Estate 1-127’ is the second book solely dedicated to his work that I bought, the first being ‘Designed by Peter Saville’. That had coincided with a retrospective exhibition at London’s Design Museum in 2003, ‘The Peter Saville Show’.
Released in 2002, this CD finally shone official light of day on to early material by The Human League and immediate forerunners The Future that had been circulating in bootleg form for 20+ years. Hurrah!!! A compilation of this type had been mooted for official release long before – back in late 1981, Heaven 17’s ‘Penthouse and Pavement’ album inner sleeve advertised ‘The Future Tapes’ as a forthcoming release, for example.
The background story is even more involved than I was aware of and adds to the enjoyment of listening to this release now, albeit in some cases that is a pretty lo-fi experience, to be fair.
Continue reading “The Golden Hour of The Future – Recordings by The Future and The Human League”
Near enough to the day (11th July 1980), forty years have passed since the impeccably eerie synthetic ‘less is more’ dynamic of ‘Burning Car’ appeared. As Spring moved into Summer of 1980 it was exciting times for music for me. Spring had brought Orchestral Manoeuvres in the Dark with ‘Messages’ and The Human League with ‘Rock ‘n’ Roll’ to my ears and Gary Numan had released the exciting ‘We Are Glass’ single. New Musik and The Cure had also kept my cassette recorder busy, taped from the top 40 show. I had read about the forthcoming release of this latest Foxx single mid June in Smash Hits. It had competition from former band mates Ultravox, who had reactivated and were releasing the first notes with Midge Ure in the shape of ‘Sleepwalk’ – and would be an earlier release than Foxx’s latest.
Continue reading “John Foxx – ‘Burning Car’ UK 7″ single (Metal Beat/Virgin VS360, 1980)”
