‘Temptation’ was the third (or fourth, depending on whether you count the Factory Benelux 12” variant of ‘Everything’s Gone Green’ as a unique variant) single release by New Order, released May 1982, it was a big deal at the time. The first unique release after the debut ‘Movement’ album, it highlighted that the band had finally parted ways from the influence of Martin Hannett as the producer, and both sides of the single saw the band’s sound build further on the minimal electronic sequencer-driven sound that ‘Everything’s Gone Green’ had first ushered in. Yet, it retained a somewhat delicately ramshackle vibe too, ahead of the polished dance-beat driven sound that would subsequently re-write the band’s DNA for their more electronic-based tracks.
^ New Order ‘Temptation’ 1982 UK 12″ front cover debossed title detail
It’s all about the versions on VersionCrazy and sometimes you come across releases that you make an assumption on, that they will be pretty much standard fare but – somehow, it turns out that they manage to throw up some weird and wonderful regional variations of interest. One such example is this ‘(The Best Of) New Order’ compilation CD from the band, the first fruits for London Records of their deal to acquire the band after the sad demise of the original Factory Records. I guess it was to be expected that after the band was scooped up by a major label (well, in some territories, since they were already on Qwest/Warner Bros. in the US) they would work that back catalogue hard. ‘(The Best Of) New Order’ was the first such example from this deal with London Records, a compilation first released in November 1994 on CD, cassette, LP and video cassette even. But of interest to this article are the differences between that 1994 edition and the American release that followed in 1995.
^ Side by side: New Order – (The Best Of) New Order EU and US compilation CD front insert designs
‘Touched By The Hand Of God’ was one of a handful of tracks by New Order included on the soundtrack to the movie ‘Salvation’. Released as a single in December 1987, it was remixed for the occasion and also acted as the follow-up to the surprisingly big chart success that ‘True Faith’ had gifted the band a few months earlier.
^ New Order ‘Touched By The Hand Of God’ UK CD single front cover design
I tend not to feature live Joy Division recordings on VersionCrazy because… well… where will it end?! There are simply so many of them released over the years – official, semi-official, unofficial… and as for the sound quality. I shouldn’t be too harsh as it is from an era where documentation of every movement was not the norm it seemingly is now… and with the ease of finding recordings online, who even needs physical versions? But once in a while a release comes along that is worth celebrating, if you still crave a physical copy. If you come across this one, you will be in for a treat as sonically, this is as good as you can expect from the era… and the packaging, while no Peter Saville production by any means, does a decent job.
^ Joy Division ‘Live In Amsterdam 1980’ 2020 Japanese CD front cover design with OBI.
The gig in question is from 11th January 1980 at The Paradiso, Amsterdam, The Netherlands. You can read more about the gig and its unique background on why there were two Joy Division sets on the treasure trove of info that is the wonderful Joy Division Central website. Its one of the most bootlegged gigs and has also ‘officially’ been re-issued, though somewhat cack-handedly, on the ‘official’ versions here and here. There is a forum discussion about live recordings of the gig on the interactive message board area of the site dedicated to the gig and you’ll find plenty of discussion as well as links to online YouTube recordings of the 2010 high quality recording from which its likely this is sourced from too. Continue reading “Joy Division ‘Live In Amsterdam 1980’ Japanese CD [Alive The Live / King Street, INGCD4174, 2020]”
The impossibly stylish sleeve design to the debut single by Orchestral Manoeuvres in the Dark, ‘Electricity’, was an opening statement of intent by Factory Records, one so unusual to produce that it set the production presses on fire, with the result that the intended press run was left incomplete, apparently. It’s thermographed print was at one time de rigueur for stylish business cards – though black-on-black print as found here was perhaps a little more unusual. Whatever, this release in its original form has been a much sought after item and one you wouldn’t have imagined seeing again in its original form. However, 2019 saw the release of a boxed set of facsimile recreations of the first ten Factory Records artefacts to commemorate 40 years of the label, ‘Use Hearing Protection – Factory Records 1978-1979’ by Rhino Records. Let’s look at the original and recreation side by side…
The 1979 original
The beautifully minimal original cover – it has survived 42 years in good shape now. My copy of the vinyl is OK, hardly blemish free – also, it is a mis-press as it has the side A label on the B side too. Ooops! As for the music… famously, despite having re-recorded both songs at Cargo Studios with Martin ‘Zero’ Hannett as producer, the band insisted that their original somewhat low-fi and wonky version (recorded on the Winston 4-track recorder and produced by the band and then manager Paul Collister (aka Chester Valentino) in the latter’s garage, christened ‘Henry’s’), was used for the A side. But Tony Wilson insisted that the lush re-recording of ‘Almost’ was used on the B side.
