Category: Region crazy

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Tones On Tail – Burning Skies/OK, This Is The Pops versions

The versions

Burning Skies [12″ Version] (6’20”)

Burning Skies [7″ Edit] (4’13”)

Burning Skies [Gothic Rock compilation Edit] (5’15”)

Burning Skies [‘Something!’ promo CD ‘Single Edit’] (4’34”)

OK, This Is The Pops (7″ / 12″ version)

OK, This Is The Pops (fade-in start)

OK, This Is The Pops (‘phased’ version)

NB: All timings are approximate and intended as a guide for differentiation only

Tones On Tail - Burning Skies / OK This is The Pops 7 inch single front cover
^ Tones On Tail – Burning Skies / OK This is The Pops 7 inch single front cover

I never imagined there was going to be quite so much version craziness when I sat down to listen to these original vinyl releases and compare them against what has subsequently emerged across various compilation LPs and CDs. First off, it was a surprise to realise that the 7″ edit of ‘Burning Skies’ had never appeared on CD at any point – and in the end, no less than four different variants of ‘Burning Skies’ came to light when I dug the vinyl out for a spin. Similarly, ‘OK, This Is The Pops’ in the version as was released on vinyl back in 1983 (the versions on 7″ and 12″ are the same) hasn’t quite made it to CD unscathed either. I would love to know how these things come to be – can there be so many different tape boxes at Beggars Arkive that it is so easy to confuse? Or are these accidents that happen during remastering? Continue reading “Tones On Tail – Burning Skies/OK, This Is The Pops versions”

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The Compact and Mercurial Bill Nelson Part 1: Quit Dreaming And Get On The Beam

Welcome to the wonderful world of Bill Nelson on CD – a small number of CD variants that played fast and loose with running orders, which may either leave you smacking your lips in anticipation of the otherwise unavailable obscurities to be found, or bamboozled at the wrecking of otherwise fine tracklists. Starting with Bill’s first solo release on Mercury records, ‘Quit Dreaming And Get On The Beam’.

Bill Nelson 'Quit Dreaming And Get On The Beam' CDs
^ Bill Nelson ‘Quit Dreaming And Get On The Beam’ CDs

Cocteau Records, JC CD 15

The first UK release on CD, released 25th July 1986 according to one of my Bill Nelson fan club newsletters from June 1986, five years in from the original release date. Continue reading “The Compact and Mercurial Bill Nelson Part 1: Quit Dreaming And Get On The Beam”

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Love and Rockets – ‘Seventh Dream Of Teenage Heaven’ on CD – UPDATE

With this post I’m going to look at the various releases on CD of ‘Seventh Dream Of Teenage Heaven’, the debut album by Love and Rockets, released in Late 1985 and a particular favourite of mine through the years – and specifically digging about at the various different mixes of some of its tracks and bonus tracks which were added to the numerous CD issues. This updated post adds a few additional points that have become known since the original post, mostly thanks to the wonderful comments left by well-informed readers of this blog – thank you! In short, these are a slight edit to ‘The Game’ on the US version of the album and the US 12″ promo version of ‘Dog End of a Day Gone By’ being a unique mix that is not simply an edit of the US album remix.

Original UK CD (front)
^ Original UK CD (front)

Continue reading “Love and Rockets – ‘Seventh Dream Of Teenage Heaven’ on CD – UPDATE”

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Wire – ‘Life In The Manscape’ US CD single (Enigma/Mute, 7 75553-2 / MUTE 107, 1990)

‘Life In The Manscape’ turned out to be the one and only single release from Wire’s fan-testing ‘Manscape’ album, a period where the band’s insistence on devotion to process (in this case MIDI/computer-based recording and editing) dragged them well out of shape from the nominal ‘beat combo’ of the preceding Mute releases. (And even those releases had already had their fair share of playing second fiddle to the technology…) The album was viewed by Wire as their ‘1990’ album, a deliberate change in direction and methodology. I personally have a lot of time for it, but the band themselves have long since distanced themselves from it and many’s the fan who have either joined them in that view or would hope for some 21st century remix of it to sort it out.

Wire - Life in the Manscape US CD front insert design
^ Wire – Life in the Manscape US CD front insert design

Continue reading “Wire – ‘Life In The Manscape’ US CD single (Enigma/Mute, 7 75553-2 / MUTE 107, 1990)”

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Ultravox ‘The Voice’ Spanish 7″ single (Chrysalis, CHS-2559, 1981)

Nothing especially exotic when it comes to the musical content of this 45, fine as it is nevertheless – very much Ultravox mark II at the high water mark of their splendidly noir pomp. The A and B sides match the UK release, the former being an edited version of the LP cut, the latter one of Ultravox’s mark II’s best ever B sides, IMHO, with Warren Cann on lead vocals. No, the chief attraction of this 45 is the cover, which broke with the tradition of most territories equivalent releases by ditching the (admittedly very good) Peter Saville (or Estudio Saville, as his nom de plume would have it on this outing) design – instead, the cover features one of photographer Brian Griffin‘s sumptuous shots from the ‘Rage In Era’ period, Ultravox in a timeless retro style in front of a vanishing point horizon. It did at least keep a similar in vein ‘brush script’ style typeface for the titles, the A side of which is also translated as ‘La Voz’ for this release. There does also seem to be another Spanish 7″ edition that features the regular picture sleeve design, it may be a promo only affair though? This is the one for me though.

Ultravox, 'The Voice' ('La Voz') Spanish 7 inch single front cover design
^ Ultravox, ‘The Voice’ (‘La Voz’) Spanish 7 inch single front cover design
Continue reading “Ultravox ‘The Voice’ Spanish 7″ single (Chrysalis, CHS-2559, 1981)”