Category: Region crazy

With this post I’m going to look at the various releases on CD of ‘Seventh Dream Of Teenage Heaven’, the debut album by Love and Rockets, released in Late 1985 and a particular favourite of mine through the years – and specifically digging about at the various different mixes of some of its tracks and bonus tracks which were added to the numerous CD issues. This updated post adds a few additional points that have become known since the original post, mostly thanks to the wonderful comments left by well-informed readers of this blog – thank you! In short, these are a slight edit to ‘The Game’ on the US version of the album and the US 12″ promo version of ‘Dog End of a Day Gone By’ being a unique mix that is not simply an edit of the US album remix.

Continue reading “Love and Rockets – ‘Seventh Dream Of Teenage Heaven’ on CD – UPDATE”

‘Life In The Manscape’ turned out to be the one and only single release from Wire’s fan-testing ‘Manscape’ album, a period where the band’s insistence on devotion to process (in this case MIDI/computer-based recording and editing) dragged them well out of shape from the nominal ‘beat combo’ of the preceding Mute releases. (And even those releases had already had their fair share of playing second fiddle to the technology…) The album was viewed by Wire as their ‘1990’ album, a deliberate change in direction and methodology. I personally have a lot of time for it, but the band themselves have long since distanced themselves from it and many’s the fan who have either joined them in that view or would hope for some 21st century remix of it to sort it out.

Continue reading “Wire – ‘Life In The Manscape’ US CD single (Enigma/Mute, 7 75553-2 / MUTE 107, 1990)”

Some while back, I covered the original West German release of Xmal Deutschland’s second single, ‘Incubus Succubus’ – read more here. Easily one of their most vital pieces, having signed to 4AD records the band saw fit to re-record it in 1983 and release a new version, this time produced by 4AD label head Ivo along with John Fryer. Released in the UK on 7″ and 12″ pressings, the version was not radically different from the first take, but even so it somehow managed to acquire a unique number to differentiate it. Something of an archetypal Xmal gothic, lupine howl, it appealed a great deal and was my initial entry into all things Xmal in the autumn of 1983. The bass-propelled, tomtom-heavy ‘Vito’ on the flip side was equally exciting – and fighting above the jagged guitars, the gothic organ tones of the Casio MT30 keyboard – small but deadly!

Continue reading “Xmal Deutschland: ‘Incubus Succubus II’ Japanese 12″ EP (4AD/Nexus International, K15P-518, 1983)”