Archive for the ‘Versions, versions’ Category

John Foxx video compilation (Virgin Music Vault, VVC582 1989)

Tuesday, September 14th, 2021

This odd little release was one in a series of short video compilations of Virgin label catalogue artists issued in 1989, while VHS was still the format of choice. Amongst other acts of interest in the series (at least for me…) were Skids and Magazine. This video was the first time I was able to view again some promo videos I had seen only a handful of times anyway back in the very early ’80s, and some I had never seen before, so it was a welcome purchase, despite the brevity (clocking in around 25 minutes). Being a UK based Top Of The Pops viewer, the videos were less common sights due to the frequent and memorable John Foxx appearances in the TOTP studio, not least for ‘Underpass’, ‘No One Driving’ (the latter with no less than four Yamaha CS80’s for the backing band!) and ‘Europe, After The Rain’.

John Foxx 1989 UK VHS video EP

^ John Foxx 1989 UK VHS video EP

Opening with minimal, cheapo title graphics, it goes straight off into ‘He’s A Liquid’, in its alternative mix form that has since gained a re-release on various CDs, but was first issued as one side of a white label promo-only 12″ single along with ‘Underpass’ on the other side (Virgin VDJ31, 1980). Its like the ‘Metamatic’ LP cover come to life at times, but with Foxx in a mysterious slow-motion mystery dance of recognition with a female clone of his personae come to life from the familiar ‘Metamatic’ screen, that ultimately replaces him.

It is followed by ‘Underpass’ – notably, in its original, colour, video form – as videos for ‘Underpass’ were made available many years later on the ‘Metatronic’ compilation, but re-worked. This is properly Ballardian in its scope and very early 80s – all glowing strip lights, video screens, characters illuminated by film projectors, post-apocalyptic children playing/sheltering with an abandoned shopping trolley, while Foxx and musical conspirators cooly mime to the music -all on synthesizers, natch. Interspersed is footage of motorway driving, underpasses and the like.

The ‘Metamatic’ era continues with the promo video for ‘No One Driving’. Foxx mimes and dances to the music lit by eerie green light or against a broiling sky background or with that classic early ’80s illuminated Venetian blinds trope, while his band of keyboard players are this time surrounded by twirling strip-light cube constructions. For the middle-eight, two ‘Come Dancing’ style ballroom dancers take to the floor. A field day for any early ’80s/new romantic/futurist haters who like to take the piss on anything remotely pretentious – by God, Foxx looks good here though and you can see why this video in particular has been plundered for various record covers – firstly the ‘Burning Car’ 7″ picture disc in 1980 and most recently the limited edition ‘Burning Car’ vinyl LP from 2016. On this video, it is a shorter, sub three minute edit of the album mix that is used, not the re-recorded single mix. When re-issued on the ‘Metatronic’ compilation, that video uses an edit of the single mix instead.

John Foxx 1989 UK VHS video EP - rear cover

^ John Foxx 1989 UK VHS video EP – rear cover

‘Miles Away’ is up next and of all the videos contained on here, it has the one with the most personal resonance I think – it was such a rarity on UK terrestrial television (1980, a grand total of three TV channels to choose from!) to see these kind of videos at one time and this one I recall seeing only the once on some later afternoon ITV show during the week and being struck by the imagery. While it starts off all a good bit more animated and upbeat, Foxx having discarded the stiff, crisp suit, shirt and tie of the previous videos, the strange dissolved man / empty suit is recreated from the front cover of the single’s picture sleeve. But even further than the sleeve… the same empty suit/dissolved man transplanted to a commuter train and a park bench – while scenes of a deserted swimming pool and Foxx floating still on his back, fully suited and booted add to the eerie and mind-boggling for a youngster experience.

Moving on to the era of ‘The Garden’ – while John had appeared on the UK chart show Top Of The Pops to mime along to ‘Europe, After The Rain’, a promo video was produced for ‘Dancing Like A Gun’ – it was shown on Saturday morning’s kids TV, ‘Swap Shop’, I think – but I wasn’t in to see it – my younger brother was and he described it to me on returning home. I thought he was having a laugh. He described at as having characters that were kung-fu kicking and each time they did there was a lightning flash appeared from their feet. What a wind-up, I thought – this wasn’t right, surely – not in a John Foxx video. I’d seen ‘No One Driving’! It wasn’t until I watched this VHS for the first time in 1989 I realised that – gasp!! – he hadn’t been fibbing and there were indeed scenes just like this after all. Something of a cast of surrealist set-pieces, and that illuminated strip-light cube in the background once again, this one above all probably brings together many an early ’80s cliche.

John Foxx 1989 UK VHS video EP - cassette / label

^ John Foxx 1989 UK VHS video EP – cassette / label

‘Endlessly’ is up next in its glossy, Zeus B Held produced re-recording from 1983, rather than the original electro-psychedlia 1982 single take. A much softer, more classically romantic take on the John Foxx look… the cold, ‘Metamatic’ visuals banished altogether by now. Endlessly chasing deserted corridors and country lanes, climbing the spiral staircase to nowhere. Should have been a hit. he gets the girl in the end though…

‘Stars On Fire’ is a short but sweet John Foxx record sleeve animated into life, while for the closing ‘Lose All Sense Of Time’ the video taps into the spirit of glossy magazine cut-outs collage and Monty Python inspired, Terry Gilliam-esque stop-motion animation, with no trace of Foxx himself to be found on either of these two.

The packaging design, by The Leisure Process, is vaguely in a similar territory to what Foxx himself might have fashioned, though not quite. It also comes with some sleeve notes of a fairly balanced nature, by John Tobler.

The whole lot is uploaded there on YouTube if you want to view it in its original, scuzzy VHS form… If you want to find them in more pristine digital form, then you can find ‘He’s A Liquid’ and ‘No One Driving’ on the ‘Metatronic’ CD/DVD compilation from 2010. ‘Underpass’ is there too, but in a new ‘black and white’ version which retains plenty from the original but is quite different nevertheless. The colour elements are featured on the version for the Mark Reeder remix – and combined with elements from ‘the ‘No One Driving’ video too. Meanwhile, ‘Miles Away’, ‘Dancing Like A Gun’, ‘Endlessly’, ‘Stars On Fire’ and ‘Lose All Sense Of Time’ can be found on 2013’s ‘Metadelic’ CD/DVD compilation – which also includes that 1981 Top Of The  Pops appearance for ‘Europe, After The Rain’ too.

One thing that remains missing to this day though is the unique performance mix on short lived ITV Saturday morning show ‘The Fun Factory’ of ‘Burning Car’… scuzzy quality only, presumably long since wiped (or maybe never recorded) from the Granada television vaults… oh for a time machine!

Year by Year: Cocteau Twins – 1983

Tuesday, September 7th, 2021

7″ Flexidisc: ‘Vinyl’ Magazine (‘Speak No Evil’)

‘Speak No Evil’ was intended to be one of the tracks on a planned debut 7″ single for 4AD by the band. That ended up being dropped when the recording of ‘Garlands’ was judged to be a stronger opening release on its own, so ‘Speak No Evil’ was instead given away as a flexidisc with the Dutch music magazine ‘Vinyl’. Obviously somewhat crackly in this flexidisc form, it was a welcome addition as a bonus track on the 1986 CD release of ‘Garlands’, but was removed on subsequent re-releases which opted to feature only the original eight track album running order. It has however recently been included on the four disc various artists compilation, ‘Make More Noise! Women In Independent UK Music 1977 – 1987’ released on Cherry Red in 2020. It has a downbeat, proto-‘Garlands’ type sound – the nearest comparison on ‘Garlands’ would likely be ‘Shallow Then Halo’, I feel. The flip side features the wonderful Thomas Leer with ‘Who’s Foolin’ Who’ – stylistically a good way away from the Cocteau Twins sound, originally also exclusive to this flexidisc, in recent years it found a home on his ‘1982’ compilation.

'Vinyl' Magazine flexidisc - Cocteau Twins 'Speak No Evil' label side

^ ‘Vinyl’ Magazine flexidisc – Cocteau Twins ‘Speak No Evil’ label side


Wire – ‘It’s All In The Brochure’ CD (Pink Flag, PF2, 2000)

Saturday, August 28th, 2021

The accompanying live document to the ‘Third Day’ rehearsal recordings CD as featured in the previous post‘It’s All In The Brochure’ captures a selection of not only Wire’s performance but also the various other supporting acts from the occasion of their concert at the Royal Festival Hall, 26th February 2000.

Wire - ‘It's All In The Brochure’ CD EP front cover design

^ Wire – ‘It’s All In The Brochure’ CD EP front cover design


Wire – ‘Third Day’ CD EP (Pink Flag, PF1, 2000)

Saturday, August 21st, 2021

This small object of desire was initially available for sale from the merch stall upon the occasion of Wire’s second ‘reactivation’ (their third coming, I suppose) – a concert at the Royal Festival Hall [RFH], London on 26th February 2000. By that time, despite their absence after having reverted to the three-piece format of WIR and it having come to an end in the first few years of the ’90s, the band’s critical stock had risen, no doubt thanks to obvious Britpop admirers such as Elastica, Blur, et al, through the mid to latter half of that decade, but also along with the good work that Wire Mail Order [WMO] had been doing in curating the recorded legacy meantime. The vibe meant that selling out a venue as large as the Royal Festival Hall was possible in order to welcome back Wire on returning, once again. (Such a venue and audience was not necessarily a good thing, in my experience, but more of that later…)

Wire - ‘Third Day’ CD EP front cover design

^ Wire – ‘Third Day’ CD EP front cover design


Heaven 17 – ‘Endless’ UK Boxed Cassette (Virgin, TCVB 2383, 1986)

Saturday, August 14th, 2021

The first compilation/remix album by Heaven 17 (though by no means the last), ‘Endless’ is quite a curio on cassette format for a number of reasons. First off, this limited edition boxed version – packaged up in an elegant, black linen box with gold print, not a million miles away from the format that Factory Records had adopted for their cassette releases of their mid-eighties period (and which now prove very collectable indeed).

Heaven 17 'Endless' boxed edition cassette - front

^ Heaven 17 ‘Endless’ boxed edition cassette – front

Secondly, of course, some good old version craziness in the music to be found on the cassette. Apart from the ‘endless’ segue concept that is responsible for many changes to be found in the music, headline news is that the cassette edition came with four extra tracks compared to the CD version and amongst these is a 5’05” mix of ‘Play To Win’ that I had never come across anywhere else. (It has since finally been released on the ‘Play To Win (The Virgin Years)’ boxed set, I believe, though I don’t have this set.) It resembles the longer ‘BEF Disco Mix’ from the original 12″ single release, but edited down a good deal. (I tried out a digital recreation of it, hence why I know how much editing down it has had – no simple early fade out or the like, oh no – someone went to town with some enthusiasm all the way through the track!) (more…)