Given away with the April 2019 edition of the German magazine MuzikExpress, this blue vinyl, one-sided 7″ single includes a new and unique edit of the track. The magazine itself came with a lengthy write-up on the parent album, hailing it in the number 1 position of the ‘100 Best Albums from Germany’.
The record features the new 4’35” edit from the original recording of ‘Autobahn’ and this differs from the 7″ single edits originally issued back in the day. This new edit is something of a best of both and includes a good deal more of the vocal sections than either. Being a minute and thirty seconds longer than the rather brutal British edit, that’s perhaps no surprise.
^ Kraftwerk – ‘Autobahn’ MusikExpress magazine German 7″ single front cover
Released in 2002, this CD finally shone official light of day on to early material by The Human League and immediate forerunners The Future that had been circulating in bootleg form for 20+ years. Hurrah!!! A compilation of this type had been mooted for official release long before – back in late 1981, Heaven 17’s ‘Penthouse and Pavement’ album inner sleeve advertised ‘The Future Tapes’ as a forthcoming release, for example.
The background story is even more involved than I was aware of and adds to the enjoyment of listening to this release now, albeit in some cases that is a pretty lo-fi experience, to be fair.
^ The Golden Hour of the Future – front cover design
Back to a favourite subject of mine, the variations to be found with Gary Numan’s wonderful ‘Telekon’ album. Here we have the most recent vinyl re-issue, from 2015 and the lure of the limited red vinyl double album edition clearly proved far too tempting. So, go on Beggars, give me yet another copy for the collection…
^ Gary Numan – ‘Telekon’ 2015 Double LP re-issue front cover design
Brian Eno’s ‘Music for Films’ has a complicated history and in this post I’ll do my best to unravel the differences between the original 1976 promo-only release, its 1978 wider commercial release and how the stray tracks have reappeared on CD in later years.
^ Brian Eno ‘Music for Films’ original 1976 promotional ‘Director’s Edition’ – front cover
Two Bill Nelson releases hailing from 1983, both of the mini-album variety that was so very much in vogue at the time. The first of these, ‘Chimera’, capped off Bill’s short but highly productive two year stint with Mercury records, the second, ‘Savage Gestures for Charms Sake’, saw the return to Cocteau Records as a going commercial concern once more. Both very enjoyable in their own way, they were later brought together on a single Cocteau Records CD for re-issue before later being being split apart again with ‘Chimera’ upgraded to a single CD expanded edition in 2005, while ‘Savage Gestures for Charms Sake’, other than a long since deleted stand-alone re-issue on CD in 1989, currently languishes in the wastelands. First up…
‘Chimera’
^ Bill Nelson – ‘Chimera’ UK mini album front cover design
It has an unusual back story, this album. Recorded late 1982 at The Garden and Riverside Studios, it apparently started life with the intention of being a bridging four track EP between 1982’s ‘The Love That Whirls’ album and the next intended full-length album, but ended up a six track mini-album released around the time the intended album should have been with the addition of two extra tracks. (Production work for amongst others Gary Numan and The Units got in the way…) Continue reading “Bill Nelson – ‘Chimera’ and ‘Savage Gestures for Charms Sake’”
