For no reason other than on my travels over the years I have come across these and I do love a nice little enamel lapel pin, here are a few record company logo badges. The most unusual is probably the Genetic Records badge – Martin Rushent’s label back in the day. The Capitol and Parlophone ones came via an early Record Store Day goodie bag courtesy of London’s fine Sister Ray records on Berwick Street.
Continue reading “Button badge goodness: Assorted record company logo pins”
Brian Eno’s ‘Music for Films’ has a complicated history and in this post I’ll do my best to unravel the differences between the original 1976 promo-only release, its 1978 wider commercial release and how the stray tracks have reappeared on CD in later years.
Some while back I posted about the wonderful (though of its time) He Said album, ‘Take Care’. The supporting single release for the album was the uneasy ‘Could You?’. Who knows for sure what the ‘text’ by Graham Lewis really alludes to, but for me it has always leaned towards some cryptic confession of murder/mercy killing. Despite the opaque nature of the lyric, it looks like there were high hopes for its commercial success as a single and it provides rich pickings for version craziness to be uncovered, with no less than six mix variants across the ‘Could You?’/’Could You (Too)’ main variants.
A unique 4’08” edit of ‘Confusion’, released as a promo-only 7″ contemporary with the original release of the single, which commercially was only available on 12″, released August 1983. This 4’08” ‘re-structure’ is to be found on both sides of the single, same labels each flip too and it all comes housed in a black, round hole cut-out sleeve. Somewhat plain in comparison to the now somewhat iconic 12” sleeve design.
Continue reading “New Order – ‘Confusion’ UK Promo 7″ (Factory FAC93, 1983)”
This curious 7″ single hails from Brazil and the background to its release I presume to be its use in a television series from late 1981 into 1982, ‘Brilhante‘. What is of particular interest is that both sides feature unique edits of the track. When I say edits, I really mean they are faded out at specific points – in the case of the A side at the 2 minute 17 mark and in the case of the B side 4 minute 47 mark. The A side edit is abrupt, while the B side edit had a somewhat more generous use of the fader control. Not terribly exciting in comparison to some of the editing scissor work on single edits from around the world, such as ‘Autobahn’. Mind you, that was a case of whittling down 22 minutes down to a mere 3 to 4 minutes. Still, it is an interesting curio to have ‘Home Computer’ as a single on its own. The labels don’t mention it, but the the record pls at 33 1/3 RPM for some reason, rather than the more common 45 RPM.
Continue reading “Kraftwerk – ‘Home Computer’ Promo 7″ (EMI Odeon SDP-867, 1981)”
