March 2021 will see the latest re-release for Japan’s third album, ‘Quiet Life’, this time in a super deluxe boxed set edition, amongst other remastered formats (single CD, vinyl LP on different weights/colours). That particular deluxe re-issue is set to include a CD of contemporary extras (‘A Quieter Life: Alternative Mixes and Rarities’) which will include the 7″ and 12″ remixes of ‘Life In Tokyo’ made by Steve Nye and released in September 1982 in the UK, as well as ‘Life In Tokyo (Theme Giorgio Moroder Version 1979)’, the exact nature of which is yet to become clear at time of writing.
^ Various 1979 and 1981 singe releases of ‘Life In Tokyo’
The Cure were no strangers to giving fans a bonus side of music to their cassette releases, with 1981’s ‘Faith’ cassette coming with the long form ‘Carnage Visors’ soundtrack piece as a cassette-only exclusive. By 1984 and their renaissance as a more pop-oriented act (on the surface at least as the Sturm und Drang outings from ‘The Top’ such as ‘Shake Dog Shake’ and ‘Give Me It’ would attest), time was ripe for their first live album in the shape of the faux bootleg look and feel of ‘Concert’ (The Cure Live)’. Limited to a single album rather than the more traditional sprawling double, it was a fair trawl through various highlights, heavy on the singles and a side order of more recent album tracks. Fair enough. But of more interest, certainly for longer term fans, was the cassette-only ‘Concert and Curiosity’.
This curious little compilation (packaged in a slimline CD case rather then the bulkier standard size) was a compilation album of obscure and previously unreleased tracks/versions from acts released via the LTM label. It could be yours gratis if you bought three or more LTM products in one order. Aside from the beautiful packaging design, my main attraction to this compilation was the Durutti Column track, the version of which is exclusive to this compilation.
^ Tobacco Perfecto compilation CD front cover design
I was most familiar with ‘Homage to Martin? originally from the ‘Lips That Would Kiss’ compilation CD (FBN2CD) from 1991. The version to be found here is described thus on the packaging: ‘Recorded at Graveyard Studio in 1981 during sessions for the album L.C. The ‘flange’ version of this outtake appears on FBN 2 CD and FBN 10 CD but this slightly different mix is unavailable elsewhere.’ Interestingly, the credits on the FBN2CD describe the track as having been recorded at Little Big One, Brussels, 1982. The version itself is not radically different, sonically a few changes here and there. Continue reading “Various: Tobacco Perfecto (LTM LTMCD 2578 Promo CD, 2013)”
In a previous post, I looked at the UK single release of ‘Nightporter’, which saw a 7″, 12″ and unique DJ edit 7″ editions. Another notable issue is the Japanese 12″ 6-song ‘Pic Label’ series EP (Virgin, VIP-4181). Retaining the same design for the front as the UK 12″ release, the rear featured a band pic along with the titles for the featured songs – which gathered together a number of edits and non-LP tracks that had surfaced originally on UK singles.
^ Japan – \’Nightporter\’ Japanese pic label 12 inch single
Of note, despite being a 12″ single, it is the 5’02” remix that is featured, as per the regular UK 7″ single, as opposed to the longer 12″ remix you might have expected to find. Similarly, despite being titled as ‘Long Version’, ‘Ghosts’ as featured on this release is in fact the same 7″ edit as per the UK single release. Finishing off side one, ‘The Art of Parties’ is the live ‘version’ that first appeared on the flip side of the ‘Ghosts’ UK 7″ single. Side two of this 12″ features a couple of tracks from the ‘Gentlemen Take Polaroids’ UK 7″ single along with ‘Life Without Buildings’, the superb B side of the original ‘Art of Parties’ single release. Continue reading “Japan – ‘Nightporter’ Japanese 12″ ‘Pic Label’ series single (Virgin, VIP-4181, 1982)”
Where does one start on ‘From Brussels With Love’? Something of a who’s who of low-key, left-field acts, mostly contributing original, unreleased material, from the minimal synth jingles of John Foxx that bookend proceedings through a demo version of Thomas Dolby’s lush ‘Airwaves’, a healthy outing for Factory acts including A Certain Ratio, Kevin Hewick (with New Order backing him on this outing), Durutti Column and even Factory’s resident producer, Martin Hannett, contributing a piece. Harold Budd, Gavin Bryars and Michael Nyman feature too, along with an interview with Brian Eno himself, whose ‘Obscure Records’ label unite all three in some form.
There have also been numerous re-issues over the years on LP and CD, with variations in tracklisting and sleeve designs – further info on those on the discogs.com website entry. The most recent re-issue, a CD from 2007 on LTM Publishing (Les Temps Modernes) LTMCD 2479, is the most faithful to the original cassette release.
I’ll let the pictures do the talking on the cassette packaging. This is my own copy, I believe there were variations to the original cassette release, such as including a badge.
^ ‘From Brussels With Love’ cassette package front cover design^ ‘From Brussels With Love’ cassette package back cover design and cassette
