Archive for the ‘Region crazy’ Category

The Compact and Mercurial Bill Nelson Part 1: Quit Dreaming And Get On The Beam

Thursday, February 14th, 2019

Welcome to the wonderful world of Bill Nelson on CD – a small number of CD variants that played fast and loose with running orders, which may either leave you smacking your lips in anticipation of the otherwise unavailable obscurities to be found, or bamboozled at the wrecking of otherwise fine tracklists. Starting with Bill’s first solo release on Mercury records, ‘Quit Dreaming And Get On The Beam’.

Bill Nelson 'Quit Dreaming And Get On The Beam' CDs

^ Bill Nelson ‘Quit Dreaming And Get On The Beam’ CDs

Cocteau Records, JC CD 15

The first UK release on CD, released 25th July 1986 according to one of my Bill Nelson fan club newsletters from June 1986, five years in from the original release date. This edition was largely faithful to the original album release tracklisting except for the addition of one extra track, ‘White Sound’, slapped bang in the middle of proceedings and swapping the version of ‘Living In My Limousine’ for the 12″ remix version. The sleeve design also stayed close to home to the original for the front/back, but the inner spread made use of two photos from the same session as used for the ‘Do You Dream In Colour’ single, by the excellent Brian Griffin, sadly uncredited on this release. The inner spread doesn’t attempt to replicate the original so there are no lyrics, but the original credits in hand-written style are preserved.  (more…)

Love and Rockets – ‘Seventh Dream Of Teenage Heaven’ on CD – UPDATE

Friday, November 30th, 2018

With this post I’m going to look at the various releases on CD of ‘Seventh Dream Of Teenage Heaven’, the debut album by Love and Rockets, released in Late 1985 and a particular favourite of mine through the years – and specifically digging about at the various different mixes of some of its tracks and bonus tracks which were added to the numerous CD issues. This updated post adds a few additional points that have become known since the original post, mostly thanks to the wonderful comments left by well-informed readers of this blog – thank you! In short, these are a slight edit to ‘The Game’ on the US version of the album and the US 12″ promo version of ‘Dog End of a Day Gone By’ being a unique mix that is not simply an edit of the US album remix.

Original UK CD (front)

^ Original UK CD (front)


Wire – ‘Life In The Manscape’ US CD single (Enigma/Mute, 7 75553-2 / MUTE 107, 1990)

Tuesday, September 25th, 2018

‘Life In The Manscape’ turned out to be the one and only single release from Wire’s fan-testing ‘Manscape’ album, a period where the band’s insistence on devotion to process (in this case MIDI/computer-based recording and editing) dragged them well out of shape from the nominal ‘beat combo’ of the preceding Mute releases. (And even those releases had already had their fair share of playing second fiddle to the technology…) The album was viewed by Wire as their ‘1990’ album, a deliberate change in direction and methodology. I personally have a lot of time for it, but the band themselves have long since distanced themselves from it and many’s the fan who have either joined them in that view or would hope for some 21st century remix of it to sort it out.

Wire - Life in the Manscape US CD front insert design

^ Wire – Life in the Manscape US CD front insert design


Ultravox ‘The Voice’ Spanish 7″ single (Chrysalis, CHS-2559, 1981)

Tuesday, February 3rd, 2015

Nothing especially exotic when it comes to the musical content of this 45, fine as it is nevertheless – very much Ultravox mark II at the high water mark of their splendidly noir pomp. The A and B sides match the UK release, the former being an edited version of the LP cut, the latter one of Ultravox’s mark II’s best ever B sides, IMHO, with Warren Cann on lead vocals. No, the chief attraction of this 45 is the cover, which broke with the tradition of most territories equivalent releases by ditching the (admittedly very good) Peter Saville (or Estudio Saville, as his nom de plume would have it on this outing) design – instead, the cover features one of photographer Brian Griffin‘s sumptuous shots from the ‘Rage In Era’ period, Ultravox in a timeless retro style in front of a vanishing point horizon. It did at least keep a similar in vein ‘brush script’ style typeface for the titles, the A side of which is also translated as ‘La Voz’ for this release. There does also seem to be another Spanish 7″ edition that features the regular picture sleeve design, it may be a promo only affair though? This is the one for me though.

Ultravox, 'The Voice' ('La Voz') Spanish 7 inch single front cover design

^ Ultravox, ‘The Voice’ (‘La Voz’) Spanish 7 inch single front cover design


Xmal Deutschland: ‘Incubus Succubus II’ Japanese 12″ EP (4AD/Nexus International, K15P-518, 1983)

Monday, December 30th, 2013

Some while back, I covered the original West German release of Xmal Deutschland’s second single, ‘Incubus Succubus’ – read more here. Easily one of their most vital pieces, having signed to 4AD records the band saw fit to re-record it in 1983 and release a new version, this time produced by 4AD label head Ivo along with John Fryer. Released in the UK on 7″ and 12″ pressings, the version was not radically different from the first take, but even so it somehow managed to acquire a unique number to differentiate it. Something of an archetypal Xmal gothic, lupine howl, it appealed a great deal and was my initial entry into all things Xmal in the autumn of 1983. The bass-propelled, tomtom-heavy ‘Vito’ on the flip side was equally exciting – and fighting above the jagged guitars, the gothic organ tones of the Casio MT30 keyboard – small but deadly!

Xmal Deutschland: ‘Incubus Succubus 2’ Japanese 12 inch EP

^ Xmal Deutschland: ‘Incubus Succubus 2’ Japanese 12 inch EP