Archive for the ‘Obscurios’ Category

Wire ‘Exploded Views’ Italian Book / ‘Live – May 1990’ CD (Stampa Alternativa, SCONC.25, 1994)

Tuesday, October 14th, 2014

Never been entirely sure where this fits into the grand Wire scheme of things, whether it is official, semi-official, unofficial – does it count as one of those ‘objects’ that numbered up to 47 at one point? I’m unsure, since it clearly has input from the band somehow or other, whether that be via the separate interviews or the exclusive live recordings – this is no mere cut and paste history in cuttings type affair. But neither is it an ‘Everybody Loves a History’ nor a ‘Read and Burn’. It shares a series with similar tomes on many other alternative favourites, more likely appearing due to quirks in Italian copyright law than official sanction, I’d wager.

Wire - 'Exploded Views' book, front cover

^ Wire – ‘Exploded Views’ book, front cover

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John Foxx ‘My Face’ UK yellow plastic ‘Smash Hits flexi-disc, 1980

Wednesday, April 30th, 2014

Something of an indulgence in this post – ‘My Face’ was a previously unreleased track that John Foxx gave away to Smash Hits magazine in late 1980, issued via the medium of a one-sided, crackly bright yellow plastic flexidisc – and what you see here is it wrapped in my home made cover design of the time. I’m pretty sure I wasn’t alone in putting together my own cover design – I was obviously trying to channel the spirit of the preceding ‘Burning Car’ sleeve design in typeface and coloured line elements.

John Foxxx 'My Face' flexidisc housed in home-made sleeve

^ John Foxxx 'My Face' flexidisc housed in home-made sleeve

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Siouxsie and the Banshees ‘The Peel Sessions 1977-1978’ 7″ coloured vinyl EP (Strange Fruit, 677002)

Friday, April 4th, 2014

An odd little curio, two tracks apiece from the bands first two Peel sessions jumbled up on this 7″ EP that sells itself on the packaging to the max, with a mish-mash of Banshees eras; early, pre-Polydor recordings with a Kaleidoscope/JuJu era? Siouxsie pic and typeface logo from the ‘Kiss In The Dreamhouse’ era – topped off with light blue marbled vinyl for the disc itself. Both sessions from which the tracks were culled had already been out before on 12″, cassette and CD some years earlier, with the plainer, more interchangeable, generic style sleeve designs and subsequently various outings for Banshees BBC material. A rougher and rawer Banshees sound before Steve Lillywhite’s production touch and ‘space’…

Siouxsie and the Banshees - The Peel Sessions 1977-78 7 inch EP front cover

^ Siouxsie and the Banshees - The Peel Sessions 1977-78 7 inch EP front cover


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Jimmy Pursey ‘Animals Have More Fun’ UK 7″ single (Epic, EPC A1336), 1981

Wednesday, February 27th, 2013

This is a release I know next to nothing about and which ordinarily might never have been in my record collection, given that I was never very much into the more ramalama punky end of the spectrum, much preferring the artier end of the new wave. So a solo release from Jimmy Pursey of Sham 69, which I’d have tagged at the shoutier end of the street in my ignorance, was never likely to be leaping out of the record racks back in my youth. Yet, this release is something else altogether. When I first heard it, I’d never in a million years have thought it had that connection. What it does have is Peter Gabriel written all over it – for musically this seems very much a production of he and John Ellis, one time Vibrator and later Strangler, amongst other credits. Musically, this certainly has 80/82 Gabriel all over it. A low quality dub can be heard on youtube.

Jimmy Pursey 'Animals Have More Fun' UK 7" sleeve

^ Jimmy Pursey \’Animals Have More Fun\’ UK 7 inch sleeve

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Drinking Electricity ‘Cruising Missiles’ UK 7″ single (Pop:Aural, POP 008, 1980)

Tuesday, April 24th, 2012

Smash Hits magazine has a lot to answer for, let me tell you. An ostensibly mass-market, teen-focussed glossy fortnightly publication, its modern day equivalent would barely be worth a glance, filled no doubt with focus-grouped fodder dreamt up in high-security labs to a weapons-grade mass appeal, if vapid in content. But in its prime, how much oddness did the magazine help to foist upon eager young ears? I can’t imagine the modern-day equivalent of something as obscure as a Drinking Electricity scoring such prime-time coverage. Perhaps the persuasive manner of Bob Last, for it is he of the Pop:Aural label (and earlier Fast Product pedigree) that was home to this post’s musical goodies, that levered the band such a space?

The article in question is reproduced below. As you might guess, it was enough to foster my curiosity and to urge my feet of a Saturday afternoon to yonder record shop to fetch ‘Cruising Missiles’. Not because I had heard it. Noooo… Simply because… well… it all looked and sounded so damn interesting. As it happened, I could only come across ‘Cruising Missiles’, ‘Shake Some Action’ would have to wait till another time

Drinking Electricity 'Cruising Missiles' pictures sleeve design - front

^ Drinking Electricity ‘Cruising Missiles’ pictures sleeve design – front

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